Wednesday, 15 August 2012
Personal Reading Program: Week 3
Tuesday, 14 August 2012
Personal Reading Program Week 2:
Sunday, 12 August 2012
PRP Post 1
Tomorrow When the War Began is a teen fiction book written by John Marsden. This is a book that I first read during my final year of primary school. Reading this book again brought back some great memories for me. I found the book even more enjoyable now as I am now more equipped to understand the story and themes being presented through this book. I can now see the emotion that is being conveyed through this story when the invasion begins and felt a real connection to the characters because of this. This was something that I seriously missed as a child as I was more focused on the action that was presented by this novel. It is a very enjoyable and entertaining read with an action packed story.
Toad Rage
The second Book that I am looking at for this week is Toad Rage by Morris Gleitzman. As a child I had read many of Morris Gleitzman’s novels but not this one. This like a lot of the other teen novels by him that I read during adolescence was very humorous and entertaining. This story is based around the life of its main character, Limpy. Limpy is an Australian cane toad who becomes tired of all of his relatives becoming flattened on the roads by humans so he sets out to find out why humans hate cane toads. It is a very entertaining, light-hearted and funny novel to read for young adolescents. The descriptions that are used within the book really help to capture the readers imagination.
Week 3 Team Leader Summary
This week we were asked to discuss story shapes and basic plot points outlined in our readings.
We first explored story shapes, and made some discussion regarding the purpose and intent of circular story shapes. Although it was agreed that circular story shapes are most likely to be found in narratives whose plot involves characters leaving and returning home, we all found that the books we had read over the previous week did not fit this plot line and were more easily constructed as linear story shapes. Complex shape structures, with several peaks and lows as well as ‘squiggly’ areas in between that represented chaotic events during which characters experienced happy and uncomfortable events simultaneously appeared most prominent in novels and short stories; and despite the chaos within the plot, each ended with a clear and satisfying conclusion that tied in the events of the story.
However, the picture books we examined proved to be much more complicated. One in particular presented a very confusing and ambiguous plot which we could barely decipher. Another was so depressing and had such little plot development throughout the book that we felt there was little to be said about the story shape – it might curve downwards or perhaps just point down like an arrow – but I felt that nothing substantial was gained through the reading.
The ambiguity of picture books continued in our discussion of plot points. Although we had not trouble identifying plot types for the short stories and novels that were discussed, once again we struggled to define several of the picture books. However it was our discussion about the differences between the ‘quest’ and ‘voyage and return’ plots that took up most of our conversation. I found it difficult to decipher a difference between the two types of plot, my argument being that any character embarking on a voyage is seeking something – although perhaps only metaphorically – just the same as a character on a quest. Although it was argued that a voyage and return plot refers to a character wandering far from home whilst a quest involves bringing something home, endeavouring to obtain something or complete a task, I have still somewhat failed to see a truly defined difference between the two.
It is evident to me that there is considerable overlap in plot types, particularly in novels with complicated story shapes, and that many stories are likely to contain elements from several plot types in order to enrich the narrative.